FOR SOME YEARS I’VE BEEN WRITING ABOUT PHOTOGRAPHY AND AWARENESS. I even discuss how, in post-processing, I attempt to restore to images the colours as I saw them and why they moved me.
I discuss the defining moment, when an experience registers in consciousness before we describe it in dualistic terms, such as colour, tonality, pallet, exposure and other words.
For me, photography explores experience – mine – and attempts to communicate it. I discourage people from making value judgements, about their own work, and that of others.
Some years back I purchased what I thought an expensive gadget called the Expo Disc. I don’t remember just how much I paid but I thought I had lost my marbles!
I tried it out immediately, and was amazed by the realistic results, even with my compact, and this was perhaps ten years ago.
Then, because it was so expensive I kept it in its case, couldn’t be bothered to attach it to my belt, and my expensive toy rarely got used.
Yes, from time to time, I got it out. Attached it with a lanyard around my neck, but still it seemed more of a nuisance than an asset. Meanwhile, I was shifting the white balance in my camera to the manufacturer’s settings for sunny, cloudy, shade etc.
I even got egocentric at one time declaring that as I shoot RAW anyway I always tweak the WB in post-production.
I also use a range of legacy lenses and digital filters to tweak colours and create period styles.
Deep down, however, I like my images to have the colours that inspired me. The Expo Disc achieves this painlessly, but you have to be prepared to discard the protective case and just put the thing in your pocket.
Do this and you’ll reap a return in investment in spades. The colours are perfect. They recreate the magical experience of seeing 🙂